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Left pane: Jim Jarmusch; Top right: Bill Murray in Broken Flowers; Bottom right: Isaach De Bankolé in Night on Earth.
Gooood evening deadpan fans! There have been a number stories trundling around the Internet over the last few weeks about Mr. Jim Jarmusch, the director once described by me as the Marmite of indie film. I have been holding off talking about the story because a) I am somewhat of a Jarmusch fanboy and b) I didn’t really think I had anything to add. However, the temptation has proved too great, so here’s your Finger Lickin’ Jarmusch low down.
The reason for all the web chatter is that shooting has just got underway on Jarmusch’s first project since the magnificent Broken Flowers back in 2005. Way back in November he announced that he had secured funding and distribution from Focus Features for his new film The Limits of Control. The film will star Jarmusch regulars Bill Murray (Broken Flowers), Tilda Swinton (Broken Flowers) and Isaach De Bankolé (Ghost Dog, Night on Earth) along side newcomer Gael Garcia Bernal. As if that rip-roaring cast wasn’t enough, joining Jarmusch behind the camera is Cinematographer Christopher Doyle (Hero, In the Mood for Love) while Oscar winner Eugenio Caballero (Pan’s Labyrinth) is responsible for the film’s production designer.
Information about the exact plot outline is vague, however Focus announced that, De Bankolé plays a “mysterious loner, a stranger, whose activities remain meticulously outside the law.” They continue to explain that, “he is in the process of completing a job, yet he trusts no one, and his objectives are not initially divulged.” Sounds suitably ambiguous and wonderfully Jarmuschian to me. Cinematical Indie have also suggested that the film’s narrative will conform, in some way, to the road movie formula. An idea that is highly likely given Jim’s fervor for a good journey, both actual and metaphorical.
The film is currently in production in Madrid, Spain and will move to Seville and Almeria before the shoot wraps at the end of the month. Focus Features, who also distributed Broken Flowers, were obviously attracted to The Limits of Control because of the level of success that Broken Flowers enjoyed. This is a blessing for Jarmusch, because despite its tremendous cast, including Murray who is always a crowd pleaser, his films have had trouble finding distribution in the past, so this deadcert must be a weight off his mind. I fact, Focus Features have gone to great lengths to demonstrate their dedication to both Jarmusch as a director and this project. In a recent article in Paste Magazine Focus Features’ CEO James Schamus is quoted as saying:
“Jim Jarmusch defines what it means to be an independent filmmaker for audiences all over the world, and we’re delighted to rejoin with him following our success together with Broken Flowers.”
Paste also point out that this isn’t simple PR bullshit (they may have used a less vulgar noun) and describe Jarmusch’s impact upon independent film as being as significant as John Cassavettes, a statement with which I must whole heartedly agree.
If you haven’t sampled any of Jim Jarmusch’s work I highly recommend Broken Flowers and Night on Earth for starters.
Take it easy Finger Lickers,
K
Check out the Broken Flowers trailer:
If you’re in the UK click these links: Broken Flowers and Night on Earth
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Tags: almeria, bill murray, broken flowers, ceo, christopher doyle, cinematical indie, eugenio caballero, focus features, gael garcia bernal, ghost dog, hero, in the mood for love, isaach de bankolé, james schamus, jim jarmusch, john cassavettes, madrid, night on ear, oscar, pan's labyrinth, paste magazine, seville, spain, the limits of control, tilda swinton


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